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In his youth, Hergé admired Benjamin Rabier and suggested that a number of images within Tintin in the Land of the Soviets reflected this influence, particularly the pictures of animals. René Vincent, the Art Deco designer, also affected early Tintin adventures: \"His influence can be detected at the beginning of the Soviets, where my drawings are designed along a decorative line, like an 'S'\". Hergé also readily adopted the image of round noses from George McManus, feeling they were \"so much fun that I used them, without scruples!\"
Other comic creators have chosen to create artistic stories that are more like fan fiction than parody. The Swiss artist Exem created the irreverent comic adventures of Zinzin, what The Guardian calls \"the most beautifully produced of the pastiches.\" Similarly, Canadian cartoonist Yves Rodier has produced a number of Tintin works, none of which have been authorised by the Hergé Foundation, including a 1986 \"completion\" of the unfinished Tintin and Alph-art, which he drew in Hergé's ligne claire style.
Although there is no mention of Letraset, given the date & the label \"Printed in Italy\" (in English), these are obviously Letraset transfers printed at Sodecor. Several Tintin books were available, with the serial numbers marked on the front cover as well as the transfer sheet, & taking the form 1926 & followed by a letter. The three shown here are 1926 A, 1926 B & 1926 D. 153554b96e